Published Scholarship

Reference works

Angela Mace Christian, “Hensel née Mendelssohn(-Bartholdy), Fanny (Cäcilie).” In Grove Music Online, Oxford Music Online, New York: Oxford University Press. Finalized and forthcoming.


Nicole Grimes and Angela R. Mace, eds. Mendelssohn Perspectives. Aldershot: Ashgate, October 2012. xxii + 390 pp. ISBN 9781409428251

John Michael Cooper, 2nd. edition revised and enlarged by Angela R. Mace. Felix Mendelssohn Bartholdy: A Research and Information Guide. New York: Routledge, 2011. xxvi + 277 pp. ISBN 9780415802413

Refereed Journal Articles

Angela Mace Christian, “Authorship, Attribution, and the Historical Record: Solving the Mystery of the Easter Sonata by Fanny Hensel geb. Mendelssohn Bartholdy.” Musical Quarterly, forthcoming.

Angela Mace Christian, “Fanny Hensel geb. Mendelssohn Bartholdy: Amateur or Professional? A closer look at the chronology of her compositional output,” Mendelssohn-Studien 20 (2017): 153-73. Download here.

Angela R. Mace, “Mendelssohn, Bartholomew, and the Elijah Correspondence,” Ars Lyrica 19 (2010): 93-111.

R. Larry Todd and Angela R. Mace, “Mendelssohn and the Free Chorale,” Mendelssohn's 200th Anniversary Focus Issue I, Choral Journal 49/9 (March 2009): 49-69.

Book chapters

Angela Mace Christian, “‘Der Jüngling und Das Mädchen’: Fanny Hensel, Felix Mendelssohn, and the Zwölf Lieder, op. 9,” in Women and the Nineteenth-Century Lied, ed. Aisling Kenny and Susan Wollenberg, 63-84. Aldershot: Ashgate, 2015.

Angela R. Mace, “Improvisation, Elaboration, Composition: The Mendelssohns and the Classical Cadenza.” In Mendelssohn Perspectives, ed. Nicole Grimes and Angela R. Mace, 223-48. Aldershot: Ashgate, 2012.

Conference Proceedings

Angela Mace Christian. “'Der sauersten Apfel’ – Felix Mendelssohn Bartholdy und die Familie in Berlin.” Mendelssohn-Studien Sonderband 3 “250 Jahre Familie Mendelssohn” (2014): 131-42.

Angela Mace Christian. “Reinterpreting the Classical Concerto through the Romantic Cadenza.” Basler Jahrbuch für Historische Musikpraxis 34 (2010): 199-206.

Encyclopedia Entries

Angela Mace Christian. “Sonate (Doppelsonate) D-Dur, für zwei Klaviere, MWV S 1.” In Felix Mendelssohn Bartholdy: Interpretationen seiner Werke, ed. Matthias Geuting. Laaber: Laaber-Verlag, 2015.

Book, Score, and CD Reviews

Felix Mendelssohn. Lieder ohne Worte. Javier Perianes, pianoforte. Harmonia Mundi 902195, 2014. Nineteenth-Century Music Review, 2016.

Wm. A. Little. Mendelssohn and the Organ. Oxford: Oxford University Press, 2010. Notes 68/3 (March 2012): 606-608.

Felix Mendelssohn Bartholdy. Die erste Walpurgisnacht, First complete version of 1832-33, ed. John Michael Cooper. Recent Researches in Music of the Nineteenth and Early Twentieth Centuries. Madison, Wisconsin: A-R Editions, 2008. Nineteenth Century Music Review 7/2 (August 2010): 157-159.

Siegwart Reichwald, ed. Mendelssohn in Performance. Bloomington: Indiana University Press, 2008. Nineteenth Century Music Review 7/1 (July 2010): 128-131.

Georg Friedrich Händel. Israel in Ägpyten, arr. Felix Mendelssohn Bartholdy. Perf. Hermann Max, Kleine Konzert. CPO 777 222-2, 2009. Early Music America 15/3 (Fall 2009): 20.

Anton Eberl. The Complete Sonatas for Solo Piano. John Khouri, fortepiano. Music & Arts 1221, 2009. Early Music America 15/2 (Summer 2009): 15.

Other Publications

Paul-André Bempechat. Festschrift in Honour of Henry-Louis de La Grange on His Ninetieth Birthday. Peter Lang, 2015. Editorial Assistant.

Angela R. Mace and R. Larry Todd. “Verzeichnis der Werke Felix Mendelssohn Bartholdys” in R. Larry Todd, Felix Mendelssohn Bartholdy: Sein Leben, Seine Musik (Stuttgart: Carus-Verlag/Reclam, 2008), 719-748. Co-author.